<p><span style="font-weight: 400;">Composer John Chowning is considered one of the pioneers of Computer Music. His contributions to this field, such as the invention of FM Digital Synthesis, had a strong cultural impact in the worlds of both classical and popular music. His invention allowed the production of one of the most popular digital synthesizers, the Yamaha DX7, which sold millions of units in the 1980s and was used by virtually every band from that era.

<p><strong>Closing Reception with live tango music by Sol de Noche, Friday April 26, 5-7PM</strong></p>
<p><strong>Gallery Hours: Monday, Wednesday and Friday noon to 5PM (call or text ‭206-225-6912‬ when at McMahon Hall door), or by appointment (<a href="mailto:pampin@uw.edu">pampin@uw.edu</a&gt;)</strong></p>

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<p><strong>PROGRAM</strong></p>
<p>Carolina Marín + Esteban Agosin - <em><span class="s1">ARRURRÚ, surviving to change the skin </span></em><span class="s1">(2023)</span></p>
<div><span face="Avenir-Book">Laura Luna Castillo + Emily Schoen Branch - <em>Assemblage Against Entropy </em>(2023)</span></div>

<p><span><a href="people/chari-glogovac-smith" title="CHARI ">CHARI</a> presents their new interdisciplinary work, MUTATE, an archival themed, installation based, media performance work. With the growing trend of technological advancement underlining and underwriting the world, a world where big data trains the algorithms that train us, MUTATE embraces culturally informed small data, employing creative methods for preserving histories, and asking questions about what of ourselves might we encode into the future.

<p><span>An evening of software performances and human-machine communions, drawing lines between the worlds of immersive sound, performing arts, and experimental extended reality. The familiar, the bearable chaos and illusions of </span><span>order unfold across technologically mediated hyper-realities, temporalities, and mnemonic worlds. Performances where interactions and reactions occur across choreographies and spatial arrangements, binding the virtual with the real in unexpected knots and impossible behaviors. </span></p>

<p dir="ltr"><strong><span face="AvenirNext-Regular" style="font-family: AvenirNext-Regular;">WHEN: May 22 - 23, 2024<br>Exhibition hours: 12:00 - 4:00 PM</span></strong></p>
<p dir="ltr"><strong><span face="AvenirNext-Regular" style="font-family: AvenirNext-Regular;">WHERE: UW Biology Greenhouse</span></strong></p>

<p><b>DXARTS Winter Concert </b></p>
<p><b><i>A la recherche d’une musique concrète </i></b></p>
<p><b><i>75 years of acousmatic music</i></b></p>
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<p><a href="https://artsevents.washington.edu/covid-protocols"><span>ArtsUW Covid-19 Safety Protocols</span></a></p>
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<h2>Hum Under the Riverstone</h2><p><em>We asked the stone for an axiom, and it gave us a poem instead</em></p><p><em>Hum Under the Riverstone</em> explores different forms of connection and dialogue that can unfold among various kinds of intelligences: human, natural, and machinic.

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<p><strong><i>The Cycle of Sound</i></strong></p>