<p><b>DXARTS Winter Concert </b></p>
<p><b><i>A la recherche d’une musique concrète </i></b></p>
<p><b><i>75 years of acousmatic music</i></b></p>
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<p><a href="https://artsevents.washington.edu/covid-protocols"><span>ArtsUW Covid-19 Safety Protocols</span></a></p>
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<p><strong>Closing Reception with live tango music by Sol de Noche, Friday April 26, 5-7PM</strong></p>
<p><strong>Gallery Hours: Monday, Wednesday and Friday noon to 5PM (call or text 206-225-6912 when at McMahon Hall door), or by appointment (<a href="mailto:pampin@uw.edu">pampin@uw.edu</a>)</strong></p>
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<p><strong>PROGRAM</strong></p>
<p>Carolina Marín + Esteban Agosin - <em><span class="s1">ARRURRÚ, surviving to change the skin </span></em><span class="s1">(2023)</span></p>
<div><span face="Avenir-Book">Laura Luna Castillo + Emily Schoen Branch - <em>Assemblage Against Entropy </em>(2023)</span></div>
<p><span><a href="people/chari-glogovac-smith" title="CHARI ">CHARI</a> presents their new interdisciplinary work, MUTATE, an archival themed, installation based, media performance work. With the growing trend of technological advancement underlining and underwriting the world, a world where big data trains the algorithms that train us, MUTATE embraces culturally informed small data, employing creative methods for preserving histories, and asking questions about what of ourselves might we encode into the future.
<p><span>An evening of software performances and human-machine communions, drawing lines between the worlds of immersive sound, performing arts, and experimental extended reality. The familiar, the bearable chaos and illusions of </span><span>order unfold across technologically mediated hyper-realities, temporalities, and mnemonic worlds. Performances where interactions and reactions occur across choreographies and spatial arrangements, binding the virtual with the real in unexpected knots and impossible behaviors. </span></p>
<div class="description mb-5"><a href="https://spamnewmediafestival.com/">The Spam New Media Festival</a> began in 2023 with activations at Freeway Park (and collaborating art institutions) by the University of Washington’s Digital Arts and Experimental Media (DXARTS) Ph.D. candidates.
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<p><span>This exhibition, titled </span><em>Survival Machine</em><span>, is a three-person show featuring artists Althea Rao (DXARTS), Eunsun Choi (DXARTS), and Kyung-jin Kim. It will be presented at the Soil Artist-Run Gallery, with the opening on October 3rd, 2024, from 5 PM to 6 PM. The show will run until November 2nd, with the gallery open Friday to Sunday from 12 PM to 5 PM.</span></p>
<h2>About</h2>
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<h2><b>Opening Reception</b></h2>
<p>Tuesday, October 1st 4-6pm.</p>
<h2>Location</h2>
<div>The DXARTS Gallery at McMahon 8</div>
<div>University of Washington</div>
<div>4200 Little Canoe Channel NE</div>
<div>Seattle, WA 98195</div>
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<h2>Gallery Hours</h2>
<p><span>October 2-13 TBD and by appointment.</span></p>
<h2><span>Contact</span></h2>
<p><em>"In classical music, a fugue is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation, which recurs frequently throughout the course of the composition."</em></p>