<p><em>Anomalous Textualities</em> re-imagines the Studio Theater as a traversable showroom. Inhabited by seven distinct works, the margins of language and meaning are re-mediated, embodied, and deconstructed through human-machine (mis)translations. In this performance-installation, spatial, temporal, and linguistic boundaries are blurred, giving way to slippages across models, bodies, and forms. Within this anomalous showroom, language models drive mechanical systems, glitching oracles, and choreographic prompts.

<p>The Department of Digital Arts and Experimental Media (DXARTS) is pleased to present an evening of 3D music showcasing recent work and world premieres of current DXARTS staff and graduate students.</p><p><em>sound floats in the space around us, </em><br><em>but also floats us into a space, </em><br><em>different than the one we are in.

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<p><strong><i>The Cycle of Sound</i></strong></p>

<div class="description mb-5"><a href="https://spamnewmediafestival.com/">The Spam New Media Festival</a> began in 2023 with activations at Freeway Park (and collaborating art institutions) by the University of Washington’s Digital Arts and Experimental Media (DXARTS) Ph.D. candidates.

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<p><span>This exhibition, titled </span><em>Survival Machine</em><span>, is a three-person show featuring artists Althea Rao (DXARTS), Eunsun Choi (DXARTS), and Kyung-jin Kim. It will be presented at the Soil Artist-Run Gallery, with the opening on October 3rd, 2024, from 5 PM to 6 PM. The show will run until November 2nd, with the gallery open Friday to Sunday from 12 PM to 5 PM.</span></p>
<h2>About</h2>
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<h2><b>Opening Reception</b></h2>
<p>Tuesday, October 1st 4-6pm.</p>
<h2>Location</h2>
<div>The DXARTS Gallery at McMahon 8</div>
<div>University of Washington</div>
<div>4200 Little Canoe Channel NE</div>
<div>Seattle, WA 98195</div>
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<h2>Gallery Hours</h2>
<p><span>October 2-13 TBD and by appointment.</span></p>
<h2><span>Contact</span></h2>

<p><em>"In classical music, a fugue is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation, which recurs frequently throughout the course of the composition."</em></p>

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<p class="p1">Digital Arts and Experimental Media presents Daniel Peterson’s latest music composition<i>, Into the Air</i>, which explores the ephemeral nature of sound and the paradox of being. Inspired in part by Jorge Luis Borges' <em>Everything and Nothing</em>, the 80-minute piece embodies both presence and absence, holding within it the traces of countless influences while remaining transient and unimaginable; idiosyncratic and universal.