Afrofuturism began as a concept coined by scholar Mark Dery in 1993. It was his way of grouping ideas regarding how Black people used the technology…

Berlin-based artist Christine Sun Kim discusses her wide-ranging practice around sound and language. Kim, who was born in California and is now based…

Opening Reception: Tuesday, April 29, 5-7 PM Free + Open to the PublicThe Jacob Lawrence Gallery and the School of Art + Art History + Design present…

Opening Reception: Tuesday, April 29, 5-7 PM Free + Open to the PublicThe Jacob Lawrence Gallery and the School of Art + Art History + Design present…

<div class="description mb-5"><a href="https://spamnewmediafestival.com/">The Spam New Media Festival</a> began in 2023 with activations at Freeway Park (and collaborating art institutions) by the University of Washington’s Digital Arts and Experimental Media (DXARTS) Ph.D. candidates.

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<p><span>This exhibition, titled </span><em>Survival Machine</em><span>, is a three-person show featuring artists Althea Rao (DXARTS), Eunsun Choi (DXARTS), and Kyung-jin Kim. It will be presented at the Soil Artist-Run Gallery, with the opening on October 3rd, 2024, from 5 PM to 6 PM. The show will run until November 2nd, with the gallery open Friday to Sunday from 12 PM to 5 PM.</span></p>
<h2>About</h2>
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<h2><b>Opening Reception</b></h2>
<p>Tuesday, October 1st 4-6pm.</p>
<h2>Location</h2>
<div>The DXARTS Gallery at McMahon 8</div>
<div>University of Washington</div>
<div>4200 Little Canoe Channel NE</div>
<div>Seattle, WA 98195</div>
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<h2>Gallery Hours</h2>
<p><span>October 2-13 TBD and by appointment.</span></p>
<h2><span>Contact</span></h2>

<p><em>"In classical music, a fugue is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation, which recurs frequently throughout the course of the composition."</em></p>

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<p class="p1">Digital Arts and Experimental Media presents Daniel Peterson’s latest music composition<i>, Into the Air</i>, which explores the ephemeral nature of sound and the paradox of being. Inspired in part by Jorge Luis Borges' <em>Everything and Nothing</em>, the 80-minute piece embodies both presence and absence, holding within it the traces of countless influences while remaining transient and unimaginable; idiosyncratic and universal.