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<p>University of Washington Jazz Studies presents a free show by the Kris Davis Trio— Grammy winning pianist/composer Kris Davis, bassist Robert Hurst, and drummer Johnathan Blake—performing in support of Davis’s new album "Run the Gauntlet,” out on Sept. 27 from Pyroclastic Records. Students from the Jazz Studies program open. </p>
<p><em>This performance is made possible with generous support from Seattle's Raynier Institute and Foundation.</em></p>

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<p>The Campus Band (Solomon Encina, conductor) and Concert Band (David Stewart, Yuman Wu, conductors) present "Passages," a program of music by Clifton Williams, Frank Ticheli, Masanori Taruya, Rossano Galante, Samuel Hazo, Fred J. Allen, and others. This concert also includes the debut of a new community ensemble, the University Band. </p>
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<h2>Program</h2>
<h4>Concert Band</h4>

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<p><span>David Alexander Rahbee conducts the University of Washington Symphony and special guest, Michelle Cann, piano, in a program of music by Beethoven and Rachmaninoff. With acclaimed pianist Michelle Cann, performing Rachmaninoff: Piano Concerto No. 2 in C minor, Op. 18 with the orchestra. </span></p>
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<h2><strong>Program</strong></h2>

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<p>UW composers Jeff Bowen, Arshia Ashari, Melissa Wang, Huck Hodge, Joe Krycia, and Sandesh Nagaraj explore unconventional sonic landscapes in this concert presented by the UW Composition program.</p>
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<h2><b></b>Program</h2>
<p class="gmail-p1"><strong>Jeff Bowen<br></strong>Ignition/Convection<b> </b>for computer-realized sound</p>
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<p>Faculty violinist Rachel Lee Priday joins composer and virtuoso bandoneonist JP Jofre in his original nuevo tango compositions. The duo is joined by faculty pianist Cristina Valdés on several pieces arranged for piano trio.</p>
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<p class="p1"><strong>This performance has been cancelled.</strong></p>
<p class="p1">Faculty artists Cristina Valdés, Bonnie Whiting, Richard Karpen, Ben Lulich, Rachel Lee Priday, Sæunn Thorsteinsdóttir, and Cyndia Sieden are joined by members of the UW Modern Music Ensemble and Percussion Ensemble in this performance of Steve Reich's seminal 1976 work for percussion. </p>
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<p><span>The UW Percussion Ensemble (Bonnie Whiting, director), explores </span>North American Experimentalism from 1942-present in its collage concert "Credo in US (you and me)," performing John Cage's <em>Credo in US,</em> as well as works by Jonathan Bingham, Rich Burkhardt, Randolph Coleman, inti figgis-vizueta, Edward Miller, Juri Sea, and Sebastian Zhang.</p>
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<h4><span>Program Detail</span></h4>

<p>In the first half of this program, the Chamber Singers (Geoffrey Boers, director) and singers from the UW Opera Workshop, along with the UW Baroque Ensemble, perform Marc-Antoine Charpentier's <em>Les arts florissants. </em>In the second half of the program, the Chamber Singers and<em> </em>University Chorale (Giselle Wyers, director) present “Scatter, Gather,” a celebration of choral music traditions of the Pacific Rim and beyond. With special guest, Ethnomusicology Visiting Artist Shoji Kameda.</p>
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<blockquote><span><span>Charles Kronengold, faculty member at Stanford University, presents "The Chaka Khanplex, 1977-78." </span></span>This paper focuses on R&B singer Chaka Khan to argue that theorists should move from the causal models of actor-network theories toward Black feminist concepts of friendship, relationality, and what Jennifer Nash calls “the side-by-side-ness of the beautiful and loss.”</blockquote>
<h2>Abstract</h2>

<p>The Chamber Singers (Geoffrey Boers) and University Chorale (Giselle Wyers) present "River of Time," a program of works by Eric Whitacre, Joni Mitchell, Dale Trumbore, <span>Reena Esmail, </span>and others. With Serena Chin and Amy Boers, piano; and Sarah Rommel, cello.</p>
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