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<div>Indian Classical vocalist, educator, and composer, Srivani Jade presents "Ritu Chakra: Ragas of the Six Seasons of North India" in the culminating recital of her artist residency at the UW School of Music. She is accompanied by Deepashri Joglekar (Harmonium), Ravi Albright (Tabla), Suchitra Iyer (Vocal Saath), and Tanpura. Her UW students present a short opening act of Ragas and bandish compositions they learned during the quarter.</div>
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<p>Pianists Robin and Rachelle McCabe return to the Meany stage to perform Brahms’s magisterial two piano arrangement of his F minor quintet as well as music by Ravel and Prokofiev in this spirited display of sisterly chemistry.</p>
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<h2><strong><b></b></strong>Program</h2>
<div class><strong>Ravel:</strong> Rhapsodie Espagnole (Transcribed for two pianos by Ravel)</div>
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<p>The University of Washington Modern Music Ensemble (Cristina Valdés, director) performs music from the mid-20^th century and beyond. The group's fall quarter concert includes works by John Cage, George Crumb, Mario Davidovsky, Anna Thorvaldsdóttir, and Knut Vaage. </p>
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<h2 class="p1"><b>PROGRAM</b></h2>
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<p>Guest pianist Murray McLachlan leads a master class with UW piano students. </p>
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<p>Artist-in-residence Tekla Cunningham presents "Bach in Motion," a recital combining music for solo baroque violin with the choreography of Anna Mansbridge. This collaboration between the School of Music and the newly minted Seattle Bach Festival includes music by Telemann, de Visèe, Merula, and a newly commissioned work by Melia Watras, as well as Bach’s iconic Caisson as embodied by dancers Tshedzom <span>Tingkhye</span> and Alejandro Frederickson in new choreography by Mansbridge. </p>
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<p><span>David Alexander Rahbee conducts the University of Washington Symphony and winners of the UW Concerto Competition—Kai-En Cheng, violin; Rachel Reyes, flute; and Ella Kalinichenko, piano—in a program including winning concerto excerpts, a UW student composition by graduate student Yonatan Ron, Silvestre Revueltas's Sensemayá, and Overture to <em>Le roi d'Ys, </em>by<em> </em>Éduard Lalo. </span><span><span class="gmail-Apple-converted-space"> </span></span></p>
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<blockquote><span>Making his Seattle Opera debut in the role of King Marke in Tristan und Isolde, internationally acclaimed bass and recent GRAMMY winner Morris Robinson visits the University of Washington to share his story as a professional opera singer and his insights into the challenges of performing Wagner in the 21st century.</span></blockquote>
<h3>Note: This interview is presented in collaboration with Seattle Opera for students enrolled in MUSIC 185. The event is open to the public.</h3>
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<div>The faculty cellist performs the complete cycle of all six of J. S. Bach's Cello Suites in celebration of 300 years since they were composed.</div>
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<p>In preparation for UW Choirs’ Summer 2024 tour of <span>Czechia, Austria and Hungary</span>, the Chamber Singers (Geoffrey Boers) and University Chorale (Giselle Wyers, director) present “Wonderful World,” featuring works spanning the globe and the diverse styles of the American Songbook. <span> </span><span><span class="gmail-Apple-converted-space"> </span></span></p>
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<h2><strong></strong> Program</h2>
<h4>"Wonderful World"</h4>

<blockquote><span><span>Ethnomusicologist Gabriel Solis, Divisional Dean of the Arts at the University of Washington, presents "Revisiting the Heterogeneous Sound Ideal: Timbre and Narratives of Global Music History," the first talk in the School of Music's 2022 THEME lecture series. </span></span></blockquote>
<h2>Abstract</h2>