<p>Faculty pianist Marc Seales is joined by UW colleagues Steve Rodby (bass) and John-Carlos Perea (flute) and special guests Thomas Marriott (trumpet) and Moyes Lucas (drums) for this concert of original tunes and unique arrangements of jazz and pop classics.</p>
<hr /><h3>Biographies</h3>
<h3 style="font-weight: 400;">Moyes Lucas<strong><br /></strong></h3>
<p><strong><span> </span></strong><a href="/areas/choral-activities" target="_blank" rel="noopener noreferrer">University of Washington Choirs</a><strong><span> offers a range of ensembles to </span>fit you, your schedule, your interests, and musical experience. Follow the steps below to register or sign up for placement.</strong></p>
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<blockquote><div class="yiv4781220154MsoNormal">Winds, Brass & Percussion auditions for the following ensembles: Wind Ensemble, Symphonic Band, UW Symphony Orchestra & Campus Philharmonia Orchestra</div>
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<blockquote><p align="center">Strings auditions for the Campus Philharmonia Orchestras. <span>Winds, brass, percussion and harp interested in UW Orchestras, <a href="/events/2019-09-23/winds-brass-percussion-fall-2019-ensemble-auditions">please see here</a></span><span>.</span></p>
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<blockquote><p align="center">Strings auditions for the <a href="/ensembles/university-washington-symphony-orchestra">UW Symphony Orchestra</a>. Winds, brass, percussion and harp interested in UW Orchestras, <a href="/events/2019-09-23/winds-brass-percussion-fall-2019-ensemble-auditions">please see here</a>.</p>
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<blockquote><p>Auditions are for entrance to the UW School of Music in Fall Quarter, 2022. Audition sign ups are required and can be <a href="/audition-sign-ups">made online</a>.</p>
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<blockquote><p>Students of Thomas Harper and Carrie Shaw perform art songs and arias in a variety of languages and styles.</p>
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<h2>DIRECTOR BIOS</h2>
<blockquote><p><span>Making his Seattle Opera debut in the role of King Marke in Tristan und Isolde, internationally acclaimed bass and recent GRAMMY winner Morris Robinson visits the University of Washington to share his story as a professional opera singer and his insights into the challenges of performing Wagner in the 21st century.</span></p></blockquote>
<h3>Note: This interview is presented in collaboration with Seattle Opera for students enrolled in MUSIC 185. The event is open to the public.</h3>
<blockquote><p><span><span>Guest scholar Orit Hilewicz, Assistant Professor of Music Theory at the Indiana Jacobs School of Music, presents "Berio's Compositional Poetics as Performance," an examination of</span></span> Luciano Berio's Continuo for Orchestra and Ekphrasis (Continuo II).</p>
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<h2>Abstract</h2>
<blockquote><p><span><span>Charles Kronengold, faculty member at Stanford University, presents "The Chaka Khanplex, 1977-78." </span></span>This paper focuses on R&B singer Chaka Khan to argue that theorists should move from the causal models of actor-network theories toward Black feminist concepts of friendship, relationality, and what Jennifer Nash calls “the side-by-side-ness of the beautiful and loss.”</p></blockquote>
<h2>Abstract</h2>