<p>Adapted by Julie Kramer from the book by Rona Jaffe<br> Directed by Valerie Curtis-Newton<br> February 6 – 16, 2020<br> Previews February 1 & 4<br> Pay-What-You-Can Wednesday February 12 <br> Floyd and Delores Jones Playhouse</p>
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<p><strong>“I suggest you decide which kind of girl you want to be. Otherwise, someone else will make that decision for you.”</strong></p>
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<p>In light of the public health advisories on social distancing, <em>Cabaret</em> has been <span data-markjs="true" class="marks9k6qsmi3" data-ogac data-ogab data-ogsc data-ogsb>canceled. </span>Ticketholders have the option to: </p>
<ul>
<li>donate tickets as a tax-deductible gift to the UW School of Drama</li>
<li>request a refund</li>
</ul>

<h2><strong>The 3/6 - 3/15 performances of The Women of Lockerbie have been cancelled. </strong></h2>
<hr>
<p>By Deborah Brevoort<br> Directed by Kristie Post Wallace<br> March 5 – 15, 2020<br> Previews February 29 & March 3<br> Pay-What-You-Can Wednesday March 11<br> Glenn Hughes Penthouse Theatre</p>
<p><span>Run Time: 1 hour and 30 minutes, no intermission.<br><em>Please note that this production uses fog. </em></span></p>

<p>In light of the public health advisories on social distancing, <em>Dead Man's Cellphone</em><span> </span>has been<span> </span><span data-markjs="true" class="marks9k6qsmi3" data-ogac data-ogab data-ogsc data-ogsb>canceled. </span>Ticketholders have the option to: </p>
<ul>
<li>donate tickets as a tax-deductible gift to the UW School of Drama</li>
<li>request a refund</li>
</ul>

<p>By Anton Chekhov<br>Adapted by Darby Sherwood and Jeffrey Fracé<br> Directed by Jeffrey Fracé<br> November 21 – December 8, 2019<br> Previews November 16 & 19<br> <em> No performances November 25 – December 3, due to Thanksgiving holiday</em><br> Pay-What-You-Can Wednesday December 4 <br> Glenn Hughes Penthouse Theatre</p>
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<p>As the British Industrial Revolution dawns, young Ada Byron Lovelace (daughter of the flamboyant and notorious Lord Byron) sees the boundless creative potential in the “analytic engines” of her friend and soul mate Charles Babbage, inventor of the first mechanical computer. Ada envisions a whole new world where art and information converge—a world she might not live to see. Jane Austen meets Steve Jobs in this poignant pre-tech romance heralding the computer age.

<p><span>By Bryony Lavery</span><br><span>Directed by Andrew Coopman</span><br><br>One sunny evening, a young girl walks to visit her grandmother. She never arrives. <br><br>A play about retribution, remorse, evil, and redemption,<em><strong> </strong></em><em>Frozen</em> explores the interwoven lives of three strangers as they try to make sense of the unimaginable. Second-year MFA director Andrew Coopman directs. </p>

<p><span><i>dis/re/connection</i> is a new collaborative performance that explores connection, disconnection, and reconnection. How have we, and do we, connect with each other? With ourselves? How do we disconnect from others and ourselves? And ultimately, what is reconnection? What does it feel like? What can it be? Presented through vignettes, music, poetry, movements, and scenes all created by the ensemble, this meditation poetically asks us to reckon with ourselves and to ultimately persist.</span><u></u><u></u></p>

<p><span>This winter, the Cornish College of the Arts Theater and Performance Production Departments, Seattle University Theatre, and the University of Washington School of Drama have come together for a cross-town theatrical collaboration the likes of which Seattle has never seen.

<p>Based on the true story of Italian rail worker and anarchist Giuseppe Pinelli, who died under mysterious circumstances while in police custody in 1969, Nobel Prize-winner Dario Fo’s <em>Accidental Death of an Anarchist</em> is one of the greatest—and most controversial—farces ever composed. In a world of commonplace deception and organized corruption, a “maniac” invades a police station interrogation room and hilariously manipulates the police into a truth-inducing hysteria.