<p>In light of the public health advisories on social distancing, <em>Dead Man's Cellphone</em><span> </span>has been<span> </span><span data-markjs="true" class="marks9k6qsmi3" data-ogac data-ogab data-ogsc data-ogsb>canceled. </span>Ticketholders have the option to: </p>
<ul>
<li>donate tickets as a tax-deductible gift to the UW School of Drama</li>
<li>request a refund</li>
</ul>
<p>By Anton Chekhov<br>Adapted by Darby Sherwood and Jeffrey Fracé<br> Directed by Jeffrey Fracé<br> November 21 – December 8, 2019<br> Previews November 16 & 19<br> <em> No performances November 25 – December 3, due to Thanksgiving holiday</em><br> Pay-What-You-Can Wednesday December 4 <br> Glenn Hughes Penthouse Theatre</p>
<blockquote>
<p><strong>IMPORTANT INFORMATION: </strong></p>
<p>Please read <a href="https://drama.washington.edu/news/2021/11/01/importance-being-earnest-k…; target="_blank" rel="noopener noreferrer"><em>The Importance of Being Earnest</em>: Know Before You Go</a> for important information regarding your performance. Strobe lighting is used for this production. </p>
<p><strong>Photograph 51<br><span>By Anna Zeigler</span><br><span>Directed by Amanda Rountree</span><br><span>January 27 – Feb 6, 2022</span><br><span> Preview Jan 25</span><br><span>Floyd and Delores Jones Playhouse</span></strong></p>
<p><strong>Important: </strong><br><span></span></p>
<ul>
<p style="font-weight: 400;"><a href="https://drama.washington.edu/season-memberships" target="_blank" rel="noopener noreferrer" class="button">Buy a 2021-22 Season Membership</a><strong><br>"When I think of Country X, the thinking starts from darkness. And by that I<br>mean the same darkness as the blank space in your mind, before a<br>thought forms. Does that make sense?
<p><strong>I didn’t get all that when I was little, all that stuff about angels and god in heaven. I thought it was all puffy clouds and angel babies playing harps. I didn’t get the other part, the secret part, like some kinda sign. The language of angels, and how light burns.</strong></p>
<div><strong>Now let’s push ourselves today</strong></div>
<div><strong>Push further than you think you can</strong></div>
<p><strong>And keep on pushing</strong></p>
<p><b>Directed by graduate directing students Kate Drummond and Nick O'Leary</b><br><span></span></p>
<p>Experience The Moors—an ingenious dark comedy that subverts the tropes of the 19th-century Gothic romance. Contemporary Queer playwright Jen Silverman has brilliantly crafted eight characters (six women, a dog, and a moor hen) who each contend with desire, fear, and transformation. In their struggle to change, we recognize their love and their desperate need to be seen.</p>
<p>A THICK DESCRIPTION OF HARRY SMITH, a proto-psychedelic medicine show, takes a wild ride through the life, work, and times of filmmaker, musicologist, painter, anthropologist, collector, occultist, and fabulist, Harry Everett Smith. Best known for editing the seminal Anthology of American Folk Music, Smith's peculiar life is an emblem of American bohemian life in the 20th Century.</p>